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Winners for Ravensmoot 2 announced

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And then, there were three.

Cublets, it is with great joy (and much excitement) that we announce the winners for our upcoming speculative fiction anthology, Ravensmoot: Utopia/Havoc.

This year, we received a smorgasbord of particularly well-crafted tales. From DNA pirates to sleeping gods, body mods to crime lords, cities under cities to dreamscapes and so much more, we have an absolutely SICK line-up. You’re going to love it. You’re going to freak out. You’re going to cry and laugh and be impressed.

The new ravensmoot is a showcase of the new South Africa, and what it could be. The themes are powerful, the words are poetry, and we can proudly say that this anthology will be groundbreaking on many levels. The sheer talent has us gagging.

This year’s stories were jointly judged by Fox & Raven’s own Marius du Plessis, and award-winning author/editor/many other cool things Nick Mulgrew. And after much deliberation and many reader reports, we finally came to a conclusion.

So let’s get to it! The winners are:

1. Blind, by Kerstin Hall
2. Journal of a DNA Pirate by Stephen Embleton
3. The Thriving and the Thieving, by Mia Arderne.

And what do they win?!

First place grabs a cool R3000 cash. Kontant. Moolah. The winner also pockets R1000 in book vouchers from the bookstore of their choice. Also bragging rights because they’re wicked sick awesome.

Coming in second will fatten your wallet to the tune of R2000. Lekker. Add a R500 book voucher to that, and you’re sorted.
Third place rakes in a slick R1000 dosh. And R500 in book vouchers. We’re already gagging.

The authors will all receive a hard cover über limited edition copy of the anthology, with alternate cover art.

Congratulations to these authors, as well as the other four authors who will appear with them in the anthology. For the full list, go check out this post.


And there you have it! Remember to check out the critically acclaimed first Ravensmoot to prepare yourself for the sheer deliciousness of the second one. Keep it sick, cubs.

Read: Fletcher by David Horscroft

Hello dear cublets! It’s Friday, and we know you’re dying for an excuse to avoid work. So, to make things easy for you, here’s the first chapter of Fletcher by David Horscroft – enjoy its delicious filth.

                                                                  

1: Threes, Blankets and Other Old Friends

 

They say that good things always come in threes. This seems to be the case with everything apart from horsemen and unsolvable physics problems. As such, it stands to reason that my life is almost entirely devoid of triples, and instead stands as a somewhat morbidly whimsical chain of singular events. While one could perhaps argue otherwise, I find that most of the links in this chain can be traced back to an event which not only occurred no more than once, but also left most of the involved parties feeling dismayed or regretful because of their participation. In my circles, I would refer to this event as my birth.

From an early age, I both shunned society and kept to my own devices. I was not a particularly brilliant child: I began to speak at the normal stage, started walking at a suitable time and, in due course, morphed through my pupal stages into an awkward teenager. It was here that I developed both an insatiable thirst for knowledge and the ability to insinuate myself into any situation, whether it warranted my attention or not. Throughout my schooling career, I spied on my classmates, disseminated rumours, stalked neighbours and ran a surprisingly tight surveillance ship for one of my age.

I am not a nice person. Let me make that entirely clear. Of the two foolish enough to brook a relationship with me, both ended their lives uncharacteristically early. No, I didn’t kill them. Not directly, at least. The first washed her torn love and misery down with a cocktail of sleeping pills and tequila; the second drove his car off a cliff in a blind rage. Learn from them: you cannot fix or repair me in any way. I am not broken. Despite my dismissive nature, my diminutive patience, my sordid proclivities or my violent outbursts, I am not some damaged individual to be changed or ‘saved’. Nothing is wrong with me.

By choice, or as a side effect of my repulsive persona, I now embody the word ‘pariah’. Those who are not my friends know me as Fletcher. The unstable individuals who claim to be closer to me know me as K. My full name is entirely irrelevant: simply a handle to which one can staple crimes and glories. You will not learn it; even I sometimes feel as if I have forgotten it. To the vast, uncaring universe, I am either K Fletcher or nothing at all.

I’ve learned many things over the course of my life. I know that a jumper never goes head first, a good lie is ninety percent truth, and that a knife will scare a story out of someone far faster than a gun. I’ve discovered that every man, woman and dog has a price, and that this price is lower than most people ever expect. I’ve found out, first hand, that napalm is far more fun than advertised, and that chloroform, while old-fashioned, manages to do a pretty good job. Most importantly, I’ve realized that any problem—regardless of size—can be solved with the suitable application of murder or explosives.

There are very few people who could say that 2012 was a fun year. No one denies that. But what no one seems to remember is that the world was a nasty place before 2012, and it is an increasingly nasty place afterwards. I guess that’s where I come in, to remind you that humanity didn’t change. It just took off a mask and revealed the grinning flesh beneath.

 

***

 

I’ve noticed something peculiar about people and their blankets. Their warmth and comfort seems proportional to two things: directly to the amount of work scheduled for that day, and indirectly to the chance of being shanked by a smirking psychopath.

This law probably also involves kittens, somehow.

I stared at the motionless figure. I was standing in a house listed under the name of one Clive Jackson, a middle class accountant who worked for the government. However, multiple things were strangely out of place. Even for an accountant, the house was particularly lifeless. Art dotted the walls, but it was fully devoid of anything remotely personal. The heavy locks and aggressive security measures were just rude.

I cleared my throat pointedly. The effect was both immediate and amusing. His arms splayed in opposite directions before his eyes even finished opening. Right hand to the bedside table: raise the revolver and fire. One click, two clicks. The first misfire was all he needed to realize that I had sabotaged his weapon—the second was simply a product of instinct. The left hand closed around the handle of a knife that wasn’t there. This all happened over the course of half a second. Shoot first, hide in legal jargon and government identity nets later—that was always Vincent’s style. The analysis followed the embarrassing thrashing—he added together my luxuriant pose, my trench coat and—more importantly—the snide grin etched into my face. He spat out words, as if shocked and appalled by their taste.

“Jesus Christ, K! What the hell are you doing here?”

I said nothing. He deserved to squirm for a bit. I hadn’t forgotten the Seychelles.

“Jerk. Still haven’t forgotten the Seychelles?”

I remained silent just long enough to cut off his next sentence. Vincent was predictable like that.

“I was on vacation. You were rude.” I wasn’t. We both knew this.

He overlooked this fact and continued with his interrogation. “How did you find me? And how the hell did you get in?”

“Clive? Seriously? You sound like a trucker. I would have hoped to find you under a classier, more suitable alias. Like ‘Michelle’. Your security system is outdated and the locks on the doors were just a joke. If I weren’t such a nice person…”

My tone was laced with a potent dose of snark. It felt like I was dragging verbal barbed wire through mental tiramisu.

Vincent’s eyebrows stormed towards the centre of his face, cresting over his dark brown eyes. He was angry at my intrusion—of that there was no doubt. On some level, though, I also saw that a part of him was glad to see me.

Vincent and I had a long history. We’ve both tried to kill the other before. I almost succeeded, to boot: a minor victory I didn’t let him forget. Despite this, we’ve worked together on more occasions than I can count. He’s often called upon my services for tracking, surveillance and more, and feeds me with official information outside my reach. The biggest aspect of our friendship was that we were both without love or compassion for one another. Without personalities to analyze and care about, our relationship was based on mutual abuse, violence, power plays and occasional professional courtesy. We both understood that our careers would occasionally cross paths, and neither bore a grudge when it did.

They say that a friend will help you move house, but a good friend will help you move bodies. To all extents and purposes, Vincent was a good friend.

Now that the initial shock had worn off, and the chance of being shanked seemed relatively low, Vincent had settled into an uneasy recline. He repeated his previous question.

“How did you find me? I’m supposed to be deep.”

“Vincent. The fun is in finding out, right?”

Perfectly maintained teeth ground against each other: “Then. Tell. Me.” This was spoken in a way that unquestionably capitalized each word into its own angry little sentence.

“No fun in that.” The smirk had returned. I was infuriating when I wanted to be: all the time.

“Well. What do you want?” He sounded peevish.

“Nothing. I just came to talk—quality time between old friends.”

“Just to talk? Old friends? You don’t know the meaning of either.”

My smirk remained, but my tone turned to mock offense. “You wound my honour, Vince.”

“Honour? That’s another one.”

My smile vanished. “That was mean. Say sorry.”

Now it was his turn to grin. “No. Cut the crap, Fletcher. What do you want?”

I took a deep breath. Despite our posturing, asking anyone for help with personal cases was difficult. Even Vincent. No, especially Vincent. The room was still for a noticeable stretch before I spoke again.

“I need a coroner’s report. And a sample of DNA—a hair, some blood, anything. I’d get it myself, but I’m strapped for time and for some reason the morgue is sealed tighter than a nun’s virtue. Never seen so many suited spooks in a university hospital before.”

The grin was now devouring most of Vincent’s face. He had the uncanny ability to show every single one of his teeth while still managing to look condescending rather than stupid.

“K Fletcher—private eye extraordinaire—can’t get past some smartly dressed meatheads?”

“You know I’d hate to ruin such nice attire with blood. It stains, you know. Total nightmare to get out.”

“Deflecting. Jesus. So you really do need my help here?”

“I need to get to the body before it vanishes. You have the authority to walk in there and do just that. I’d have to forge documents, get clearances, ready my mop. I don’t have time for that.”

“Vanishes? Cremation?” His tone was hopeful, but he had realised what this was all about.

“It’s the boy, Vince. I’m sure it is. But I need hard evidence.”

He rolled his eyes.

I did not appreciate the gesture, and spoke again so as to intercept the inevitable lecture. “Don’t say it. I know your opinion on the boy. No—I’m not in love with him. No—I’m not insane. Just do this for me. Please?” I despised my tone, but this was more important than an ego war. I tried to soften the request.

“I promise not to stab you for another month, at least. Probably. Unless I really want to. Or I’m bored. Or lonely. Or—”

“I’ll do it.”

I nodded. “I would say thanks, but you owe me one anyway.”

He stiffened and almost argued, but I stepped in and placed a finger on his lips. This action was instantly regretted: the long lacerations down the back of my hand were clear, even in the murk of the room. I withdrew swiftly, but Vincent did not relax.

“Who?”

“A nobody, dealer near the centre of the city.”

The tense stare I was receiving did not abate.

“Get off your high horse.” I snapped. “It’s not like I killed the pope. Though, he is on my list. Just because you wreath your lethal urges in government-sanctioned murder doesn’t mean you can judge me for not doing the same.”

Silence lingered for a few seconds before I stood to leave. Vincent opened his mouth as if to say something, but caught himself at the last moment. I didn’t have time for this.

He probably didn’t hear me re-activate his alarm, nor lock his door. Few ever did.

 

***

 

The early-morning glow filtered cautiously through the gutted buildings as I walked home, as if even the light thought twice about venturing here. To be fair, I guess you could call this place a bad neighbourhood. To the unwary, all gutterages were dangerous. Gutterage. The name coined by the military soon after the dust and smoke settled. Most cities had at least one; many had even become one. It was used to describe those areas where the filth and scum has risen from the gutters to take the land. Looters and pillagers, rapists, thugs and hired hands, thieves, vandals and mercenaries alike, all fighting viciously over whatever valuables and prey they could find.

Cities burned, military cordons appeared from nowhere and districts were sealed up and quarantined from the rest of society. Until the world had worked out the rest of their troubles, this is exactly how they would stay: festering hives of humanity’s grinning flesh and blood. There was no real authority here, no law nor vice save the rules of survival. I think in a pre-2012 world that would qualify as a ‘bad neighbourhood’.

However, there were certain factors that I needed to take into account. While the rules of the gutterage were those of survival, the laws of the government zones involved high-powered military weaponry and a lot of bullets. My ego may be large to say the least, but I’m well aware that one of my few flaws is not being made of Kevlar. One did not take a simple stroll outside curfew times without becoming a veritable lead magnet, and so my lair in the gutterage had become my primary haunt.

I’m generally left alone as I traverse the broken streets. I don’t know why; my wiry build would usually attract potential attackers. Maybe it’s just that: someone striding so purposefully through a place which literally has no purpose is enough to put would-be thugs off. Maybe I’m the Zhuge Liang of the apocalyptic wasteland. Perhaps I have some pervading aura of malice and hidden weapons; something that can be sensed but not necessarily noticed. But, for the third time since the gutterage came into existence, someone decided to break the pattern today. Remember what I said about good things coming in threes? Sometimes, just sometimes, the saying is true.

I stopped the moment they came into sight. This wasn’t going to be some mugging or stick-up. That doesn’t happen here. Here, they run you through and take what you’ve got while you bleed out onto the bricks. Guns are rarely used for small-key incidents like this: bullets are valuable, and you learn not to use them unless absolutely necessary. A quick glance told me everything I needed to know: three men in their late twenties with switchblades all around. One had a gold hoop through his left ear, which I’m guessing was supposed to be a sign of authority. In actuality, it made him look like a queer. As they began to step around the broken-down cars they had hidden behind, I raised a hand and spoke.

“I’m not sure you want to do this.” They continued walking towards me, almost casually, switchblades in hand but nowhere near at the ready.

“I’ll repeat. I’m not sure you want to do this. I had a psychiatrist, once. She said I had uncontrolled rage issues. Of course, she recanted this absurd accusation once I slammed her head in a drawer.” Still no pause. I didn’t expect there to be one. Hoop did, however, slow down and let his companions lead by half a step. Maybe he was picking up on that aura.

I found myself musing about that psychiatrist. I hadn’t heard from her in quite some time. Dirt tends to absorb sound superbly.

At one metre, they stopped for a millisecond before the leftmost one lunged at me.

Hand around wrist. Twist to apply pressure. Curl arm inwards. Knife into throat.

I finished with a piercing kick to his heart, knocking him backwards while leaving a comical trail of arterial spray. Before I had time to admire my art, the second one swung at me, this time from above.

Block with crossed forearms. Grab wrist, hold tight. Rotate. Break arm.

A sweep to his legs brought him to the floor, where a kick to the temple silenced him permanently. I like to think it was awe that finished him off, but it was probably the steel-toed boots.

Hoop’s face had gone from smarmy indifference to abject horror over a matter of moments. The shock didn’t last long, though; he quickly reached into his tattered jacket and I foresaw airborne lead coming my way. Of course, you can’t shoot without muscle control; Hoop realised this a few seconds after my throwing blade ran across his arm. In hindsight, this was bad news for everyone involved: the Uzi fell from his hand, and anyone who has ever seen one of those things knows exactly what happens next.

I came out from cover after the gunfire had stopped completely. Hoop was propped up against a tyre, looking decidedly worse for wear. I don’t know if he saw me grin, but even if he did, I think the holes in his lungs were a slightly bigger concern. Not for long, though.

I grabbed him by the neck and hauled him to one of the busted cars. After a minute of rhythmic slamming, the street was quiet again.

It felt like it was going to be a long day already.

 

***

 

Before 2012, the Helix Institute for Biochemical Research & Development was located in an ideal part of an industrial zone. Barely a stone’s throw from the nearest train station and perfectly situated for almost uninterrupted water and electricity, this research centre was staffed by a small group of privately funded scientists and researchers. The area lost its appeal, however, in 2012, and since then the institute has been barren and uninhabited.

Uninhabited, that is, save for me.

Before the first fires had even started to burn, I had set my eyes on the Helix Institute. Ninety percent of the structure was underground, hermetically sealed through layers of steel, silicone and concrete, with thick blast doors at the only entrance. I guess I have government regulations to thank for that. The institute’s ‘green scheme’ had adorned the aboveground structure with solar panelling, and there were secure, sterile water tanks below ground, all of which drew from pure subterranean sources. All in all, it was perfect as a base of operations and a place to tenuously call home.

Acquisition had been an interesting affair. Panic had spread like Ebola during those first few days—all a part of the simultaneous, worldwide panic which had rocked societies everywhere. Most of the staff had fled into the military zones for safety; the ones who hadn’t holed themselves inside to wait until the rioting stopped.

It didn’t.

It was impossible to break into the Institute. The regular, clichéd methods—air vents and disposal chutes—were all either too small or too regulated for passage. There was no simple password to open the blast doors, and I was loath to use excessive force to gain entry. In the end, I reverted to what I was best at: investigation.

It took little over two days to trace one of the team leaders to his flat in one of the allegedly safe zones. I think I handled the entire situation pretty well. When I left, the fire had been extinguished and the door was still in one piece. I even managed to get his identity tag with no more than minor bodily harm. Minor, that is, once his six-month body cast came off.

Things fell into place from thereon in. By the time I returned to the Helix, there was only one scientist remaining.

By the time I was settled in, I was alone.

I smiled at the familiar, reassuring hiss of the pneumatic doors as they returned to their embrace behind me. It was strange, but that hiss meant a lot to me. Over the past two years it had come to be a symbol of safety: a sign from my home saying, “Welcome back, K. I missed you.” Alternatively, it may have been saying “You stupid tosser, you almost got yourself killed out there,” but I don’t like to split hairs. It was my barrier against the insanity; a levee separating my own erratic thoughts and those of the grinning flesh outside.

I went directly to my room and spent the next two minutes ferreting around in my drawers for a cap of livewire. I placed a half-dose under my tongue, feeling the familiar kick as the drug took effect. Livewire was great for long, sleepless nights: a designer drug based on a compound given to fighter pilots before long missions. It was cut with a raft of other substances, most of which were aimed at hunger suppression and triggering auditory hallucinations.

A half-dose would keep me awake while avoiding the hallucinations in my eardrums. In my eyes, that was totally worth the one in a thousand risk of onset deafness. No time to sleep; there was work to be done. Things to see and people to do. You understand, of course.

Security room. Satellite link, up. Monitor, flicker, hello world. Hello, Tor. Hello, encrypted messages. Hello, career.

Two conversations of importance flashed at me. One was regarding a recently concluded case: a concerned father who had asked me to get his runaway daughter back. He didn’t specify what condition she had to be in, but in my opinion she really made those bruises work. She got off lightly though: the guy whom she was running away with wouldn’t be looking at any other girls any time soon. I sighed: I had missed a perfect chance to quote from King Lear. Now that was a tragedy.

I closed the set of messages and moved onto the next one. This was my currently active case: a recent murder-suicide on the fringe of the city safe zone. One look from the armed forces, and that was the conclusion. I wasn’t so sure, and luckily for me neither was the father of the accused and departed. It was a hunch that I had, one of those tingling kicks you get as a killer. “Let’s tango,” said the tingle.

Let’s tango, I responded.

                                               

Fletcher is out in late October. For more delightful discordance, follow David on twitter @forealiously. We’ve heard rumours of Fletcher intimidating the entire social media platform @KFletcherPI. Beware.

Longlist for Ravensmoot 2 announced

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And then, there were seven.

Cublets, it is with great joy (and much excitement) that we announce the seven authors that will be published in our upcoming speculative fiction anthology, Ravensmoot: Utopia/Havoc.

This year, we received a smorgasbord of particularly well-crafted tales. From DNA pirates to sleeping gods, body mods to crime lords, cities under cities to dreamscapes and so much more, we have an absolutely SICK line-up. You’re going to love it. You’re going to freak out. You’re going to cry and laugh and be impressed.

The new ravensmoot is a showcase of the new South Africa, and what it could be. The themes are powerful, the words are poetry, and we can proudly say that this anthology will be groundbreaking on many levels. The sheer talent has us gagging.

But let’s get to it (before you start screaming!). Here’s the list (in no particular order) of our very own cabal of revolutionaries; our Seven Wonders:

Erica Coetzee
Kerry Anderson
Kerstin Hall
Nerine Dorman
Yelena Calavera
Mia Arderne
Stephen Embleton

We’re not revealing the story names yet; the judging will be blind. Swing by in November, when we’ll announce the winners! To refresh your memory, the prizes up for grabs are:

First place grabs a cool R3000 cash. Kontant. Moolah. The winner also pockets R1000 in book vouchers from the bookstore of their choice. Also bragging rights because they’re wicked sick awesome.
Coming in second will fatten your wallet to the tune of R2000. Lekker. Add a R500 book voucher to that, and you’re sorted.
Third place rakes in a slick R1000 dosh. And R500 in book vouchers. We’re already gagging.

The authors will all receive a hard cover über limited edition copy of the anthology, with alternate cover art.


 

And there you have it! Remember to check out the critically acclaimed first Ravensmoot to prepare yourself for the sheer deliciousness of the second one. Keep it sick, cubs.

Buy a book, give a book

Well, what is this all about?

Hi, and welcome to dreamcircle (with a lower case d, we’ll have you know). We’re a wing of insurgent cool cats all the way from Fox & Raven Publishing, and we’re on a mission to get books into the hands of every underprivileged South African – for FREE.

Now, this is our first double-book donation. Our goal for this campaign is to donate 100 copies of Ravensmoot: an anthology of speculative fiction short stories to public libraries and schools in disadvantaged communities across South Africa.

And this is where you come in. The bottom line is that most South Africans simply cannot afford books. As book-lovers, this saddens us. So we’re doing something about it, and we hope you’ll join in too.

The premise is simple: by donating to this campaign, you’ll secure an ebook of Ravensmoot for yourself, and sponsor a print version of the book to a community that needs literature!

Check out the campaign on indiegogo.com and donate now!

Announcing dreamcircle and LGBT submission

Enter the dreamcircle.

Say hello to the latest initiative by Fox & Raven Publishing: dreamcircle (without a capital D, unless you start a sentence with it) is our very own brand of rebellion and insurgence. It’s where we speak for those whose voices are taken from them; where we tell tales that others are too scared to share.

So, what’s the big deal? Dreamcircle (see, you can use the capital D there) is a collective that strives to support communities and organisations that are busy with some *sick* things. On the other hand, we’re going to be publishing FREE books, to be distributed internationally, on topics that are close to our hearts.

You’ll remember that a while back, Fox & Raven announced that they would no longer be selling their books in countries where homosexuality is outlawed. Well, nobody said anything about giving away books for free. So to get things going, we’d like to introduce ourselves by launching a call for submissions on that very topic. Introducing: The Seven Wonders.

All the delicious details:

We want your works of queer magnificence. We’re looking for stories centred around three things. Firstly, the tale has to, well, be queer. Secondly, we want you to play around with the theme of ‘seven wonders’. Don’t get stuck on the wonders of the world. Use your imagination. Watch Season 3 of American Horror Story. Get wild. And lastly: your stories have to fall in the arena of speculative fiction.

The process:

Fox & Raven, together with a set of viciously cool kids (who remain anonymous for the moment) will judge all entries. A longlist will be announced on 1 February 2015. All stories on the longlist will be published in a limited edition print anthology, as well as an eBook version. The print anthology will be sold in South Africa, with all profits going to a local LGBTI community group, to be identified at a later stage. The eBook version will be distributed for free across the planet – and we’ll make sure to get as many copies as possible into homophobic countries.

The winners will be announced on the launch day of the print anthology. Wait, what’s that? Winners?

Yup – our top three stories will each receive a lekker prize:

First place grabs a cool $300 cash.  Also bragging rights because they’re wicked sick awesome.
Coming in second will fatten your wallet to the tune of $200.
Third place rakes in a slick $100 dosh. We’re already gagging.

The shortlisted authors will all receive a hard cover über limited edition copy of the anthology.
All longlisted authors will earn royalties on print book sales, as per our standard short story submission agreement.

What you should be writing:

For The Seven Wonders, we’re looking for speculative fiction short stories with a queer theme between 8 000 and 10 000 words. The genre for the submission is  speculative fiction. We want stories that move us, that enthral us, that make us weep and laugh.

Most importantly, we want you to explore the themes of the seven wonders. Make of that what you will.

Other important things:

If you’re still reading, you’re cool. To submit, please send your short story attached as a .doc or .pdf document to info@foxandraven.co.za. Use the subject QUEER SUBS. Don’t, *please for the love of all things good and pure in the world don’t* paste your story in the body of the email. We no likey – we no read.
Please only submit original, unpublished work. Also, we ask nicely that you don’t submit stories that you’ve submitted elsewhere, and that you don’t submit them anywhere else until you’ve heard from us.
If your story is longlisted, you agree to give Fox & Raven Publishing exclusive rights to publish the story for one year in both print and electronic form, and non-exclusive rights thereafter.

Submissions close 1 November 2014.

Queer speculative fiction for the win.

Stay a while and listen: Interview with Dr Arien van der Merwe

Salutations, fox cubs! Today we have a chat with Dr Arien van der Merwe, author of the best-selling Health & Happiness, now available as an ebook from yours truly. So let’s not waste any time, and get to it!

» read more

Stay a while and listen: interview with Cas de Villiers

Laguna Beach Jul 2011Hey cool kids! Join us for a chat with Cas de Villiers, author of the hauntingly beautiful poetry anthology Ritme Sonder Rede and collection of essays The Wolf and I, about his latest titles.

So without further ado, let’s get tallkin’.

» read more

Submissions are open for Ravensmoot: utopia/havoc!

The city: its architecture, archetypes, topology, and sociology. Its smells, swells, and taste. What it feels like to live cheek-by-jowl with millions of other people. What it feels like to live confronted every single day with people from radically different cultures and classes. What it feels like to live stacked in boxes built inside bigger boxes built to serve entirely different purposes by people who are long dead and mostly forgotten.

-  Jonathan MacCalmont

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It is on the streets of the great South African cities where the wordsmiths of our future are crafted. It is the thrum of the metropolis that whets our writers. It is the fetor of alleys and the splendour of penthouse apartments, the squandered dreams tumbleweeding through midnight streets and early morning sunrises seen through the smog of our forgotten wishes, that build the worlds we write.

So show us. Show us the words pouring forth from your imaginary city-scapes. Fox & Raven is looking for the best speculative fiction short stories South Africa has to offer for our second annual ravensmoot anthology.

This year, we’re doing things a little bit differently. Here’s everything you need to know about this year’s anthology.

All the gritty details:

The first ravensmoot, published late 2013, was a showcase of Fox & Raven’s first six speculative fiction short stories. This year, ravensmoot is metamorphosing into something a bit more: a writing competition aimed at showcasing SA’s sickest genre short story talent.

The process:

Fox & Raven, together with a set of viciously cool kids (who remain anonymous for the moment) will judge all entries. A longlist will be announced on 1 October 2014 *gasp!*. All stories on the longlist will be published in a limited edition print anthology, as well as an eBook version.

The winners will be announced on the launch day of the print anthology, at a secret location that will only be disclosed later this year. Because we’re sly little foxes like that.

The prizes:

First place grabs a cool R3000 cash. Kontant. Moolah. The winner also pockets R1000 in book vouchers from the bookstore of their choice. Also bragging rights because they’re wicked sick awesome.
Coming in second will fatten your wallet to the tune of R2000. Lekker. Add a R500 book voucher to that, and you’re sorted.
Third place rakes in a slick R1000 dosh. And R500 in book vouchers. We’re already gagging.

The shortlisted authors will all receive a hard cover über limited edition copy of the anthology, with alternate cover art.
All longlisted authors will receive an ebook version of the anthology.
All longlisted authors will earn royalties on book sales, as per our standard short story submission agreement.

What you should be writing:

For ravensmoot: utopia/havoc, we’re looking for speculative fiction short stories by South African writers of between 8 000 and 10 000 words. The genre for the submission is urban fantasy, and the setting has to be a South African city (real or imaginary). We want stories where the city is an imperative element of the story; where the reader can feel the heartbeat of the concrete rising around them.

Most importantly, we want you to explore the themes of utopia and havoc, and how these two extremes are inextricable from one another.

Other important things:

If you’re still reading, you’re cool. To submit, please send your short story attached as a .doc or .pdf document to info@foxandraven.co.za. Use the subject RAVENSMOOT. Don’t, *please for the love of all things good and pure in the world don’t* paste your story in the body of the email. We no likey – we no read.
Please only submit original, unpublished work. Also, we ask nicely that you don’t submit stories that you’ve submitted elsewhere, and that you don’t submit them anywhere else until you’ve heard from us.
If your story is longlisted, you agree to give Fox & Raven Publishing exclusive rights to publish the story for one year in both print and electronic form, and non-exclusive rights thereafter.

Submissions close 15 August 2014.

Come, writers. Hear our call. Ravensmoot wants you.